Mit ´´Porosität´´ benannten Walter Benjamin und Asja Lacis einst Neapels Eigenschaften: Räume gehen ineinander über, bieten Spielräume für Unvorhergesehenes, Improvisation ist Alltag. Heute wird der Begriff Porosität mit Bezug auf diesen Kontext zunehmend konzeptionell verwendet. Renommierte Autoren aus Architektur, Stadtplanung und Landschaftsarchitektur begeben sich auf die Suche nach neuen Konzepten für eine lebenswerte, menschenfreundliche Stadt - im Zeichen dieses schillernden Begriffs. Er dreht sich um die Überlagerung und Mischung von Räumen und Strukturen, um städtische Texturen und ihre architektonischen Eigenschaften und Qualitäten: um die Stadt der radikalen Durchmischung.
This volume is an unprecedented history of Louis Vuitton´s women´s bags, the most coveted line of accessories in women´s fashion. At the heart of Louis Vuitton are its City Bags, a range of women´s bags that dates back to the turn of the twentieth century. Featuring the trademark monograms of the house, the City Bag story began with the Steamer, a resort bag designed in 1901 to be packed inside a much larger steamer trunk. These bags have in a hundred years formally diversified into a dizzying array of handbags for every conceivable function demanded by the modern woman. Profoundly influential, City Bags are now known to millions by their descriptive names (Keepall, Bucket, Papillon, Alma, Locket, Noe, Speedy) and are still evolving into more fantastical forms. Lavishly illustrated with new and archival photography, historical graphics, landmark editorials, and ad campaigns, the volume traces the history of these specific bag families, and examines the earliest specimens and today´s most sought-after collectibles, including Vuitton´s collaborations with Takashi Murakami, Stephen Sprouse, Richard Prince, Yayoi Kusama, and Rei Kawakubo and one-off projects by Zaha Hadid, Shigeru Ban, Vivienne Westwood, Helmut Lang, Andrée Putman, and of course, Marc Jacobs. Louis Vuitton: City Bags is an ambitious volume on the creation and cultivation of a cultural phenomenon.
Charles Demuth: Welcome to Our City, 1921 1000 Teile Puzzle Grafika
John Marciari tells the story of the monuments, artists and patrons of Renaissance Rome in this compelling book. In no other city is the ancient world so palpably present, and nowhere else is the mission of the church so evident. At the same time as the humanists sought to preserve and recreate the ancient city, giving it a new lease of life, the popes dispensed patronage much as any other contemporary Italian ruler. Rome was also the most international of the Renaissance cities with artists and architects generally training elsewhere before arriving in the city and introducing new trends. By adopting a chronological structure, covering the period c.1300-1600, Marciari is able to explore the nature of Roman patronage as it differed from papacy to papacy. He examines the city´s extraordinary works of art in the context of the working practices, competition and rivalries that made Renaissance Rome so magnificent.
Die Arbeiten der beiden Fotografen Ralf Wehrle und Uwe Frank suggeriert dem Betrachter eine neue Bewusstseinsebene, die aus der Wirklichkeit in eine Traum- und Fantasiewelt mündet. Das entblöste Vergnügen findet deshalb gerade öffentlich statt. Mal statisch, mal bewegt posieren die Jünglinge vor einer bunten und schrillen Location oder City. Die Fotokompositionen fordern dazu auf die Fantasie schweifen zu lassen. ´´Lebe in der Phantasie!´´ Dieser erfolgreiche Kalender wurde dieses Jahr mit gleichen Bildern und aktualisiertem Kalendarium wiederveröffentlicht.
Oxyrhynchus is a city in upper Egypt that was established in 332 BC and is considered one of the most important archaeological sites ever discovered. Saville references the layer upon layer of discoveries at Oxyrhynchus in her new body of work, the final effect being a mysterious narrative of layered bodies and images. The dozen new works presented are a combination of oil, charcoal, and pastel on canvas and a combination of landscape and figures weaving throughout each other.
The New York Times bestseller ´´[An] obscenely enjoyable romp.´´ -The New York Times Book Review The untold story of a New York City legend´s education in creativity and style For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister´s dresses and spending his evenings after school in the city´s chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love. When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family´s name would have been a disgrace to his parents--Bill became one of the era´s most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill´s mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he´d stroll past the store windows on Fifth Avenue and feed himself on beautiful things. Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city´s most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York´s great characters.
High Quality Content by WIKIPEDIA articles! Paul Howard Manship (December 24, 1885 January 28, 1966) was a prominent American sculptor of the 20th century. Paul Manship began his art studies at the St. Paul School of Art in Minnesota. From there he moved to Philadelphia and continued his education at the Pennsylvania Academy of Fine Arts. Following that he migrated to New York City where he enrolled in the Art Students League of New York, studying anatomy with George Bridgman and modeling under Hermon Atkins MacNeil. From 1905 to 1907 he served as an assistant to sculptor Solon Borglum and spent the two years after that studying with Charles Grafly and assisting Isidore Konti.